Tuesday 7 November 2023

Lot 539

A Korean slip-inlaid (sanggam) celadon-glazed cup stand  Goryeo dynasty, 13th century  With...

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Lot 539

A Korean slip-inlaid (sanggam) celadon-glazed cup stand 
Goryeo dynasty, 13th century 
With...

Price Realised: Unsold Lot

Estimate: £8,000 - £12,000

Price realised is hammer price plus fees (31.2% Buyers Premium inclusive of VAT).

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Lot 539

Description

A Korean slip-inlaid (sanggam) celadon-glazed cup stand 

Goryeo dynasty, 13th century 

With foliated border and foot, decorated to the central part with incised tiny lappets, the foliated rim inlaid in white and black slip with leafy chrysanthemum flowers within a carved border, covered overall in a translucent, crackled bluish-green glaze. 

13cm wide.

During the five centuries of the Goryeo dynasty, celadons were the main type of ceramics produced in the Korean peninsula. Owing their shades of blue-green as much to the minerals and metals within the raw materials - iron in the clay, and iron oxide, manganese oxide and quartz particles in the clay - as the particular conditions within the kiln, where the firing temperature was around 1150 degrees Celsius with a reducing atmosphere, Goryeo celadon ranged from the simplest designs, to incised, moulded, copper-decorated, and, finally, inlaid wares.

Whilst initially Korean celadons mostly adapted Chinese techniques from the Song dynasty, particularly around the border areas, and much inspiration was taken from Yue and Ru wares, by the mid-twelfth century potters started to articulate native tastes more confidently. This trend saw its culmination in the development of slip-inlaid (sanggam) wares, a technique barely known in China, which saw the etching of delicate designs in the clay, which were subsequently filled with black and white slip, before being covered in the translucent bluish-green glaze.

The present lot would have been made to support a foliated cup of similar decoration. cf. For a cup and stand of similar decoration, see Bonhams, New York, 23 March 2022, lot 786.

Buyer's Premium

The buyer shall pay the hammer price together with a premium thereon of 26% up to £20,000 (31.2% inclusive of VAT), 25% from £20,001 - £500,000 (30% inclusive of VAT), 20% from £500,001 thereafter (24% inclusive of VAT). The premium price is subject to VAT at the standard rate.

VAT
VAT is not charged on the hammer price unless it is stated that there is 'VAT applicable on the hammer price at the end of the description. Buyer's premium is subject to VAT.
(ARR) - ARTIST'S RESALE RIGHT

Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over £1,000 as follows:
0 to £50,000 - 4%
£50,000.01 to £200,000 - 3%
£200,000.01 to £350,000 - 1%
£350,000.01 to £500,000 - 0.5%
Exceeding £500,000 - 0.25%
ARR is capped at £12,500

Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

Export of goods

Buyers intending to export goods should ascertain whether an export licence is required before bidding. Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

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