Wednesday 29 March 2023

Lot 124

John Constable, RA,  British 1776-1837-  The ruins of St Botolph's Priory, Colchester;  pencil...

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Lot 124

John Constable, RA, 
British 1776-1837- 
The ruins of St Botolph's Priory, Colchester; 
pencil...

Price Realised: £4,420

Estimate: £4,000 - £6,000

Price realised is hammer price plus fees (30% Buyers Premium inclusive of VAT).

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Lot 124

Description

John Constable, RA, 

British 1776-1837- 

The ruins of St Botolph's Priory, Colchester; 

pencil and stump on thin laid paper watermarked with an elaborate crown (J WHATMAN), inscribed 'St Botolphs Priory / Sept 19' (lower left), 20.2 x 24.6 cm. 

Provenance: 
Private Collection, UK. 

Note: 
We are grateful to Anne Lyles for confirming the authenticity of the present work based on first hand inspection. 

Constable executed drawings in Colchester on a number of occasions in the first half of his career, when he was still returning to Suffolk and Essex on a regular basis to stay with his family and to continue his sketching from nature. The present work dates to c.1808 and presumably relates to a number of other pencil sketches he made of St Botolph’s Priory in the same year. These include two smaller drawings (Graham Reynolds, ‘The Early Paintings and Drawings of John Constable, 1996, nos 08.14 and 08.15), a larger drawing now in the Yale Center for British Art [no. B1975.2.591] (Reynolds 08.16), and a further double-sided smaller drawing which appeared at Christie’s, London, 3 July 2012, lot 127. In the same year, Constable also took some sketches of the Church of St Mary-ad-Murum Church at Colchester and Colchester Castle (Reynolds 08.12 and 08.13). 

Not only is the present work stylistically similar to Constable’s other Colchester drawings taken in 1808, his materials and technique also relate, in his use of pencil and application of stump for shading, as well as his use of thin laid paper. The watermark here corresponds to that listed in W.A. Churchill, ‘Watermarks in paper in Holland, England, France, etc. in the XVII and XVIII centuries and their interconnection’, 1935, no.415, and is possibly the same mentioned by Graham Reynolds under 08.12 (St Mary-ad-Murum), described as ‘a crown above a circle’. Whilst the latter was taken on 29 October, the present work apparently dates to 19 September 1808, around five weeks earlier. 

Buyer's Premium

The buyer shall pay the hammer price together with a premium thereon of 26% up to £20,000 (31.2% inclusive of VAT), 25% from £20,001 - £500,000 (30% inclusive of VAT), 20% from £500,001 thereafter (24% inclusive of VAT). The premium price is subject to VAT at the standard rate.

VAT
VAT is not charged on the hammer price unless it is stated that there is 'VAT applicable on the hammer price at the end of the description. Buyer's premium is subject to VAT.
(ARR) - ARTIST'S RESALE RIGHT

Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over £1,000 as follows:
0 to £50,000 - 4%
£50,000.01 to £200,000 - 3%
£200,000.01 to £350,000 - 1%
£350,000.01 to £500,000 - 0.5%
Exceeding £500,000 - 0.25%
ARR is capped at £12,500

Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

Export of goods

Buyers intending to export goods should ascertain whether an export licence is required before bidding. Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

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