Tuesday 15 June 2021

Lot 53

Girl holding a Wine Cup and Bottle standing under a Tree, North Deccan, possibly Maratha,...

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Lot 53

Girl holding a Wine Cup and Bottle standing under a Tree, North Deccan, possibly Maratha,...

Price Realised: £1,105

Estimate: £1,000 - £1,500

Price realised is hammer price plus fees (30% Buyers Premium inclusive of VAT).

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Lot 53

Description

Girl holding a Wine Cup and Bottle standing under a Tree, North Deccan, possibly Maratha, India, early 18th century, opaque pigments heightened with silver and gold on paper, 18.5 x 12.5cm.

 

A young girl standing under a flowering tree is one of the most common subjects in 18th century Deccani painting, as can be seen in Mark Zebrowski's survey of Deccani painting, chapter 12. Our girl stands holding a silver bottle and a cup under a tree with purple blossoms and somewhat unusually for the period her hair is arranged in a long plait hanging down her back. Her orhni or rather sari is rather unusually arranged to cover just the back of her head and then fall down in a graceful curve as it is caught up into her waistband, and fans out in front of her, although here the painter has given it a different colour perhaps mistaking his drawing model for a patka.

 

A painting formerly in the Khajanchi collection in Bikaner (Khandalavala et al.1960, fig.116) has women wearing a sari similarly arranged with a graceful loop at the back and caught up through the waistband, that the cataloguers assign possibly to Shorapur early 18th century. The style of sari is derived from those worn in early paintings from the northern Deccan (eg Zebrowski 1983, figs.24-31: Goswamy and Bhatia 1999, nos 66-68). The shape of our girl's head, the plait and the sari caught up at the back of her head are all found in a painting of a group of women worshipping at a shrine that Zebrowski classes as Maratha from the second half of the 18th century (1983, fig.235), although in that painting the women are wearing the 9-yard Maratha sari that is worn caught up between the legs. The facial type of our girl can be traced back to late 17th century artists from Golconda such as Rahim Deccani and his school (op cit, figs. 175-177).

 

Buyer's Premium

The buyer shall pay the hammer price together with a premium thereon of 26% up to £20,000 (31.2% inclusive of VAT), 25% from £20,001 - £500,000 (30% inclusive of VAT), 20% from £500,001 thereafter (24% inclusive of VAT). The premium price is subject to VAT at the standard rate.

VAT
VAT is not charged on the hammer price unless it is stated that there is 'VAT applicable on the hammer price at the end of the description. Buyer's premium is subject to VAT.
(ARR) - ARTIST'S RESALE RIGHT

Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.

It applies to lots with hammer value over £1,000 as follows:
0 to £50,000 - 4%
£50,000.01 to £200,000 - 3%
£200,000.01 to £350,000 - 1%
£350,000.01 to £500,000 - 0.5%
Exceeding £500,000 - 0.25%
ARR is capped at £12,500

Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.

Export of goods

Buyers intending to export goods should ascertain whether an export licence is required before bidding. Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

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