Friday 25 October 2024
A courtly figural silk and two colours velvet panel, Safavid Iran, c.1600, the silk surround,...
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A courtly figural silk and two colours velvet panel,
Safavid Iran, c.1600, the silk surround,...
Price Realised: Unsold Lot
Estimate: £7,000 - £10,000
Price realised is hammer price plus fees (31.2% Buyers Premium inclusive of VAT).
Lot 330
Description
A courtly figural silk and two colours velvet panel,
Safavid Iran, c.1600, the silk surround, Qajar Iran, 19th century,
Probably a royal commission, of rectangular form, the silk ground worked with a repeated motif of a grotesque perched in a tree inhabited with birds, flanking the tree sit two naked moustachioed figures, floral borders above and below,
panel - 47 x 80cm; overall - 98 x 67cm
Published: 'A Tale of Three Velvets', Hali 72, December 1993 / January 1994, p.69.
Provenance: Property from the George Farrow Collection
Lot Footnotes
Note: A very similar panel is in the L. A. Mayer Memorial Museum, Jerusalem (T 432) published in Rachel Hasson, 'A Tall Tale', Hali 69, June/July 1993, pp.96-7). It was described at some length, the iconography identified as coming from the Persian writer Al-Qazwini’s ‘Aja’ib al’Makhluqat wa Ghara ‘ib al-Mawjudat (Wonders of Creation), and catalogued as Safavid. Its appearance drew out two further examples, the present panel, and a fragment with the dealer Erol Kazanci in Istanbul. Rachel Hasson, when she published the George Farrow example in a subsequent Hali article, identified it as a Royal commission, being the most complex example of the three, and containing one extra row of figures ('A Tale of Three Velvets', Hali 72, December 1993 / January 1994, p.69).
There are a number of related velvets which are generally dated to the later Safavid period, each of which has rows of figures, usually arranged in symmetrical groups. Two are in the Keir Collection (Friedrich Spuhler, Islamic Carpets and Textiles in the Keir Collection, London, 1978, nos.112 and 114. A velvet that at one stage was in the Kelekian collection provides an earlier version of the design (Arthur Upham Pope, A Survey of Persian Art, Oxford, 1938, pl.1038a). Scattered with staggered figures and trees, including a kneeling piper, it shows how the present very formalised design had its roots in a different earlier aesthetic.
Fees & VAT
Buyer's Premium
The buyer shall pay the hammer price together with a premium thereon of 26% up to £20,000 (31.2% inclusive of VAT), 25% from £20,001 - £500,000 (30% inclusive of VAT), 20% from £500,001 thereafter (24% inclusive of VAT). The premium price is subject to VAT at the standard rate.
VAT
VAT is not charged on the hammer price unless it is stated that there is 'VAT applicable on the hammer price at the end of the description. Buyer's premium is subject to VAT.(ARR) - ARTIST'S RESALE RIGHT
Qualifying living artists and the descendants of artists deceased within the last 70 years are entitled to receive a re-sale royalty each time their work is bought through an auction house or art market professional.
It applies to lots with hammer value over £1,000 as follows:
0 to £50,000 - 4%
£50,000.01 to £200,000 - 3%
£200,000.01 to £350,000 - 1%
£350,000.01 to £500,000 - 0.5%
Exceeding £500,000 - 0.25%
ARR is capped at £12,500
Please note ARR is calculated in euros. Auctioneers will apply current exchange rates.
Export of goods
Buyers intending to export goods should ascertain whether an export licence is required before bidding. Export licences are issued by Arts Council England and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding. The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.
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