Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact.

Rosebery’s reserves the right, in forming its opinion, to consult and rely upon an expert or authority considered by them to be reliable.

• ‘Peter Paul Rubens 1577-1640’: In our opinion, a work by the artist.
• ‘Attributed to Peter Paul Rubens 1577-1640’: In our opinion, probably a work by the artist.
• ‘Circle of Peter Paul Rubens 1577-1640’: In our opinion, a work by an unidentified artist working in the artist’s style and during the period of the artist’s life.
• ‘Follower of Peter Paul Rubens 1577-1640’: In our opinion, a work by an unidentified artist working in the artist’s style, contemporary or near contemporary.
• ‘School of Peter Paul Rubens, 17th century’: In our opinion, a work executed at that time and in the style associated with that artist.
• ‘Flemish School, 17th century’: In our opinion, a work executed at that time and in the style associated with that location.
• ‘Manner of Peter Paul Rubens’: In our opinion, a work by an unidentified artist working in the artist’s style but at a later date, although not of recent execution.
• ‘Style of Peter Paul Rubens’ : In our opinion, a work by an unidentified artist working in the artist’s style and of recent execution.
• ‘After Peter Paul Rubens 1577-1640’: In our opinion, a copy by an unidentified artist of a named work by the artist.
• A work catalogued with accompanying dates e.g. 1577-1640 relates to the identification of the particular artist and is not proof of attribution or indicative of authenticity.
• The term signed and/or date and/or inscribed means that in Rosebery’s opinion the signature and/or date and/or inscription are of the artist.
• The term bears signature and/or date and/or inscription means that in Rosebery’s opinion that artist’s name and/or date and/or inscription have been added by another hand.
• All references to signature, inscriptions and dates refer to the present state of the work.
• Dimensions are given in centimetres, height before width, and are measured from the mount or the frame, from the front.
• All works are framed, unless otherwise stated in the catalogue.
• All sales are subject to the conditions printed in the catalogue.